Editing a magazine – in this case, T magazine, the New York Times style supplement – is not. Fiction, says the 43-year-old, “is a completely other realm that’s untouchable and unknown”. “I was always interested in the disease, not the human,” she says of that early fascination with medicine, a forensic interest that foreshadowed the themes of her fiction and, 30 years later, found Yanagihara in an unusual life: writing acclaimed novels at night, with a day job as a senior editor at the New York Times. He was a doctor and an artist, twin interests his young daughter shared so that when the pathologist opened the cadaver, she whipped out a sketch pad and started to draw. W hen Hanya Yanagihara was 10 years old, her father let her visit a pathologist’s lab.
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